| 格式化内容附注: | Introduction: artistic solutions to sociological problems / by Aaron Baker -- The pious auteur. How Scorsese became Scorsese: a historiography of new Hollywood’s most prestigious auteur / Marc Raymond -- Smuggling iconoclasm: European cinema and Scorsese’s male anti-heroes / Giorgio Bertellini and Jaqueline Reich -- Italian films, New York City television, and the work of Martin Scorsese / Laura Ruberto -- The imaginary museum: Martin Scorsese’s film history documentaries / Robert P. Kolker -- Images of religion, ritual, and the sacred in Martin Scorsese’s cinema / David Sterritt -- Social contexts and conflicts. Alice doesn’t live here anymore and Italianamerican: gender, ethnicity and imagination / Aaron Baker -- Mobsters and bluebloods: Scorsese’s the age of innocence in the perspective of his Italian American films / Robert Casillo -- Off-white masculinity in Martin Scorsese’s gangster films / Larissa M. Ennis -- Irish American identity in the films of Martin Scorsese / Matt Lohr -- Issues of race and ethnicity in Martin Scorsese presents The blues and Boardwalk empire / Jon Cavallero -- Form and the filmmaking process. Martin Scorsese & the music documentary / Michael Brendan Baker -- Martin Scorsese rocks / Giuliana Muscio -- Music as cultural signifier of Italian/American life in Who’s that knocking at my door and Mean streets / Anthony Cavaluzzi -- When Marty met Bobby: collaborative authorship in Mean streets and Taxi driver / R. Colin Tait -- Scorsese’s landscape of mortality / Murray Pomerance -- Border lines: boundaries and transgression in the city films of Martin Scorsese / Brendan Krede -- Major films. Mean streets as cinema of independence / Stefan Sereda -- Taxi driver and Veteran trauma / Michael D. High -- Filming the fights: subjectivity and sensation in Raging bull (1980) / Leger Grindon -- The last temptation of Christ: queering the divine / Dan Cutrara -- The cinematic seduction of not a Good fella / Bambi Haggins -- Hugo and the (re-) invention of Martin Scorsese / Guerric Debona. |