格式化内容附注: | Introduction : generators of surprise. diverse media thinking -- History as entertainment and provocation : the TV series Holocaust in West Germany -- Media archaeology : searching for different orders of envisioning -- Towards a dramaturgy of differences -- From territories to intervals : some preliminary thoughts on the economy of time/the time -- On the difficulty to think twofold in one with Nils R?ller -- The art of design : (manifesto) on the state of affairs and their agility -- "Too many images! We have to react"! : theses toward an apparatical prosthesis for seeing in the context of Godard's Histoire(s) du cinema -- The audiovisual time machine : concluding theses on the cultural technique of the video recorder -- War and media : marginalia of a genealogy, in legends and images -- Theologi electrici : a few passages -- Historic modes of the audiovisual apparatus -- "To all!" : the struggle of the German workers radio movement 1918-1933 -- Urban music box, urban hearing : Avraamov's Symphony of sirens in Baku and Moscow 1922/23 : a media-archaeological miniature -- How one sees -- Lüology, techno-souls, artificial paradises : fragments of an an-archaeology of sound arts -- Designing and revealing : some aspects of a genealogy of projection -- Allah's automata : where ancient oriental learning intersects with early modern Europe; a media-archaeological miniature by way of introduction. |