[{"NUM":6,"bookMap":{"种次F":"","标准编码":"978-7-208-13050-0","可外借数":2,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2016","已外借数":1,"COVERPATH":"http://img7.doubanio.com/lpic/s28332051.jpg","题名2":"斯通纳","采编审核员":"","分类号":"","出版地":"上海","索书号":"I712.45/W30.4-2","价格":39,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1372151,"索书号7":"","索书号8":"","SUMMARYS":"《斯通纳》讲述了生命中最重要的部分:爱,认同,怜悯,志业,傲骨,信任与死亡。 一个勇者有过的失败不失意的人生:即使不能拥有完美的生活,所幸追求过完整的自我。 美国,密苏里州。来自偏远农场的农家子弟、19岁的威廉·斯通纳进入州立密苏里大学学习农学。自一堂选修文学课为起点, 他的一生就此悄然改变。未来的斯通纳成为了一名大学老师,结婚、生子、教学、退休、衰老、死亡。在他生命的尽头,或许他可以坦然面对这个问题:你的一生,还要期望别的什么吗? 一部蕴含着真诚、激情与紧凑力量的小说,探究了历史洪流所忽视的人性之间的冲突、溃败与幸存,重新唤起思考每个个体独特存在的意义。作者约翰·威廉斯向世人展示了凡人中的勇者在如何生活。 ---------------------------------------- 威廉斯的写作显得澄澈、节制却准确。就像被打磨光滑的橡木上反射出本色、持久的光泽。它的行文结构潜藏得不为人察觉,且毫无瑕疵,像一栋房子,精妙绝伦到绝无仿制再建的可能。 《斯通纳》一书的伟大之处在于,它以不带一丝一毫悲喜的冷静洞察了生活本质的全部。它从本质上触及了预见期待的与真实体验的生活间的落差……《斯通纳》迟到五十年后畅销,是献给被亏欠的艺术一次迟来的正名。 ——《纽约客》 斯通纳活过,然后死去,如你我一样。他生活中发生的每一件事就发生在你我面前,看似平淡。然而,写出这种“简单”却需要天才才能完成。读这本书是一本令人难过却又美妙的阅读体验。 ——《星期日泰晤士报》 约翰·威廉斯的《斯通纳》刻画了一个将追求智识当作对抗无意义的战争、拒绝与外部世界作廉价妥协的人的一生。它的意义或许不只是一部伟大的小说——它简直是一部几近完美的小说,机构精巧,语言优美,故事动人,展示着一种夺人心魄的完美。 ——《纽约时报》 一件文学的珍宝。 ——《明镜周刊》 拥有超乎寻常的力量……直击生活的真相,语言清澈优美。它是一部献给所有热爱文学之人的传奇。 ——伊恩·麦克尤恩 一本精彩绝伦的小说,既丰富又忧郁,记录着伤痛与失去的同时也留存了美好温柔的时刻。这本小说完美展现了小说艺术的要素,它的叙事节奏与情节构架均堪称完美无缺。这本小说像一条河流,冷静而又流畅的平静笔调裹挟着磅礴延绵的力量。 ——亚当·福尔兹","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"I712.45/W30.4-2","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(美) 约翰·威廉斯著 JOHN WILLIAMS","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"上海人民出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(美) 约翰·威廉斯著 John Williams","索书号10":"","全文地址":"","题名":"斯通纳","翻译题名":"","处理日期":1513040032000,"分类字母":"","题名缩写":"","丛书名":"","册数":2,"索书号16":"","累计外借册数":48,"调配员":"","修改人员":394,"出版者":"上海人民出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"38acde213fcbc2f6282b9e97461f6bc9"},{"NUM":5,"bookMap":{"种次F":"","标准编码":"978-7-301-20762-8","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":112,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":2,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2012.07","已外借数":0,"COVERPATH":"http://img3.douban.com/lpic/s27246351.jpg","题名2":"西方哲学简史","采编审核员":"","分类号":"","出版地":"北京","索书号":"B5-43/Z41=2","价格":38,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1051235,"索书号7":"","索书号8":"","SUMMARYS":"西方哲学简史(修订版),ISBN:9787301207628,作者:赵敦华 著","今年外借册数":2,"编目审核员":"","调配时间":"","索书号A":"B5-43/Z41=2","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"赵敦华著","版次":"第2版","下载":0,"种次字符数据":"","分类数据":"","出版者2":"北京大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"赵敦华著","索书号10":"","全文地址":"","题名":"西方哲学简史","翻译题名":"","处理日期":1351496946000,"分类字母":"","题名缩写":"","丛书名":"","册数":3,"索书号16":"","累计外借册数":38,"调配员":"","修改人员":38,"出版者":"北京大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"5000aa486f4d2f8232e8702e5bf0a62e"},{"NUM":4,"bookMap":{"种次F":"","标准编码":"978-7-5063-6509-3","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2012","已外借数":0,"COVERPATH":"","题名2":"戛纳电影节的故事","采编审核员":"","分类号":"","出版地":"北京","索书号":"I565.55/M39","价格":32,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1060888,"索书号7":"","索书号8":"","SUMMARYS":"","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"I565.55/M39","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(法) 雅克琳娜·蒙西妮, 爱德华·米克斯著 JECQUELINE","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"作家出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(法) 雅克琳娜·蒙西妮, 爱德华·米克斯著 Jecqueline","索书号10":"","全文地址":"","题名":"戛纳电影节的故事","翻译题名":"","处理日期":1357784192000,"分类字母":"","题名缩写":"","丛书名":"","册数":3,"索书号16":"","累计外借册数":3,"调配员":"","修改人员":55,"出版者":"作家出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"7d2bf1d245fc531a159a2d1718354ba8"},{"NUM":4,"bookMap":{"种次F":"","标准编码":"978-7-100-06675-4","可外借数":4,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":112,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2009","已外借数":0,"COVERPATH":"","题名2":"污名:受损身份管理札记","采编审核员":"","分类号":"","出版地":"北京","索书号":"C913.8/G31","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":685232,"索书号7":"","索书号8":"","SUMMARYS":"","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"C913.8/G31","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(美) 欧文·戈夫曼著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"商务印书馆","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(美) 欧文·戈夫曼著","索书号10":"","全文地址":"","题名":"污名受损身份管理札记","翻译题名":"","处理日期":1278314505000,"分类字母":"","题名缩写":"","丛书名":"","册数":4,"索书号16":"","累计外借册数":11,"调配员":"","修改人员":38,"出版者":"商务印书馆","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"0a56c99c7c1779d7ea62afcd9acb3da5"},{"NUM":4,"bookMap":{"种次F":"","标准编码":"978-7-305-20003-8","可外借数":2,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2018","已外借数":0,"COVERPATH":"http://img1.doubanio.com/view/subject/s/public/s29771522.jpg","题名2":"安德烈·塔可夫斯基:电影的元素","采编审核员":"","分类号":"","出版地":"南京","索书号":"J905.512/B90","价格":59,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1440906,"索书号7":"","索书号8":"","SUMMARYS":"★编辑推荐 安德烈?塔可夫斯基的作品以开放的叙事结构和舒缓忧郁的气氛,对当代欧洲电影风格形成了极为重要的影响,在世界电影史上有着无可代替的地位。然而,他的名字在有关电影的通俗和学术著述中都出奇地罕见。罗伯特?伯德的《安德烈?塔可夫斯基:电影的元素》堪称这一领域的杰出贡献。在塔可夫斯基电影世界的入口,伯德窸窣翻动着难得一见的俄语文献,追溯那些尘封的岁月,然后带领读者穿越电影世界中一条条幽深的密道,凭借“土、火、水、气”四种电影的元素忽明忽暗的光亮,探寻一个个神秘诡谲的角落,时不时让人眼前一亮,豁然开朗。本书涉及塔可夫斯基的主要电影作品,论述范围广,资料翔实,内附一百多幅珍贵影像,书后更有长文导读。在这里,你面对的不是晦涩难懂的电影,而是引人入胜的解谜游戏。 ★内容介绍 在《安德烈?塔可夫斯基:电影的元素》中,罗伯特?伯德详述了塔可夫斯基的主要电影作品——《伊万的童年》《安德烈?鲁布廖夫》《索拉里斯》《镜子》《潜行者》《乡愁》和《牺牲》,指出塔可夫斯基的电影是基于对土、火、水、气四种基本元素的检视或颂扬,电影的元素与孕育着可能性的时间的统一感是分不开的,而电影强化了人类体验中的这种统一感。在塔可夫斯基的电影中,是电影的元素使自然的元素得以存在。伯德诗性的语言与深刻的哲思就像缓缓诉说的画外音,为读者开启了一次别样的观影之旅,更为塔可夫斯基电影创作的美学原则提供了一次全新的研究。 ★名人推荐 “有关该电影导演在文献上的重大贡献。罗伯特?伯德完全熟悉英语读者难以获得的俄语文献,他对电影构造的细微差别有着非凡的敏感度。”——P. 亚当斯?希特尼(普林斯顿大学视觉艺术教授) ★媒体评论 “这本深刻流畅的书是一部了不起的著作……具有洞察力,思想清晰。”——《俄罗斯与苏联电影研究》 “令人印象深刻的解释性研究。”——《电影人》 “他(伯德)广泛涉猎文献,从经典俄语文学与哲学到当代视觉艺术,令人耳目一新……”——《视与听》 “对塔可夫斯基研究领域的一次非常受欢迎的贡献。”——《加拿大斯拉夫语文集》","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"J905.512/B90","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(美) 罗伯特·伯德著 ROBERT BIRD","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"南京大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(美) 罗伯特·伯德著 Robert Bird","索书号10":"","全文地址":"","题名":"安德烈·塔可夫斯基电影的元素","翻译题名":"","处理日期":1543195626000,"分类字母":"","题名缩写":"","丛书名":"","册数":2,"索书号16":"","累计外借册数":2,"调配员":"","修改人员":393,"出版者":"南京大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"b26e8091725133ba3a796c49cee6b844"},{"NUM":4,"bookMap":{"种次F":"","标准编码":"978-7-301-13590-7","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2008","已外借数":1,"COVERPATH":"http://img7.doubanio.com/lpic/s5902664.jpg","题名2":"日常生活中的自我呈现","采编审核员":"","分类号":"","出版地":"北京","索书号":"B017.9/G31","价格":28,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":660072,"索书号7":"","索书号8":"","SUMMARYS":"我想把这个研究报告当作一种手册,详尽叙述一种社会学观点。社会生活,特别是在建筑物或房舍的有形界限内有组织的社会生活,可以根据这种社会学观点来研究。我将描述一组特征,它们共同构成一种框架,这一框架能运用于任何具体的社会设施,无论是家庭设施、工业设施还是商业设施。本报告所使用的观点是戏剧表演的观点,其原理从舞台演出艺术原理引申而来。我将讨论个体在普通工作情境中向他人呈现他自己和他的活动的方式,他引导和控制他人对他形成的印象的方式,以及他在他人面前维持表演时可能会做或不会做的各种事情。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"B017.9/G31","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(美) 欧文·戈夫曼著 ERVING GOFFMAN","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"北京大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(美) 欧文·戈夫曼著 Erving Goffman","索书号10":"","全文地址":"","题名":"日常生活中的自我呈现","翻译题名":"","处理日期":1366011268000,"分类字母":"","题名缩写":"","丛书名":"","册数":3,"索书号16":"","累计外借册数":57,"调配员":"","修改人员":112,"出版者":"北京大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"bf580099dde6d210abb9f0eca614b2e3"},{"NUM":3,"bookMap":{"种次F":"","标准编码":"978-7-5495-5987-9","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":112,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2015","已外借数":0,"COVERPATH":"http://img4.douban.com/lpic/s27971326.jpg","题名2":"纽约客","采编审核员":"","分类号":"","出版地":"桂林","索书号":"I247.7/B25-9","价格":39,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1192418,"索书号7":"","索书号8":"","SUMMARYS":"纽约曼哈顿像棋盘街似的街道,最有意思的是,每条街道个性分明,文化各殊,跨一条街,有时连居民的人种也变掉了,倏地由白转黑,由黄转棕。纽约是一个道道地地的移民大都会,全世界各色人等都汇聚于此,羼杂在这个人种大熔炉内,很容易便消失了自我,因为纽约是一个无限大、无限深,是一个太上无情的大千世界,个人的悲欢离合,飘浮其中,如沧海一粟,翻转便被淹没了。 六三、六四那两年夏天,我心中搜集了许多幅纽约风情画,这些画片又慢慢转成了一系列的“纽约故事”……六五年的一个春天,我在爱荷华河畔公园里一张桌子上,开始撰写《谪仙记》,其时春意乍暖,爱荷华河中的冰块消融,凘凘而下,枝头芽叶初露新绿,万物欣欣复苏之际,而我写的却是一则女主角飘流到威尼斯投水自尽的悲怆故事。当时我把这篇小说定为“纽约客”系列的首篇,并引了陈子昂《登幽州台歌》作为题跋,大概我觉得李彤最后的孤绝之感,有“天地之悠悠”那样深远吧。……可是悠悠忽忽已跨过了一个世纪,“纽约”在我心中渐渐退隐成一个遥远的“魔都”,城门大敞,还在无条件接纳一些络绎不绝的飘荡灵魂。 ——白先勇","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"I247.7/B25-9","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"白先勇著","版次":"第2版","下载":0,"种次字符数据":"","分类数据":"","出版者2":"广西师范大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"白先勇著","索书号10":"","全文地址":"","题名":"纽约客","翻译题名":"","处理日期":1429604344000,"分类字母":"","题名缩写":"","丛书名":"","册数":3,"索书号16":"","累计外借册数":63,"调配员":"","修改人员":119,"出版者":"广西师范大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"f4fab0bfaba4c79baf3f95f2e0cb8acb"},{"NUM":3,"bookMap":{"种次F":"","标准编码":"7-5339-2568-8","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":41,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2008","已外借数":0,"COVERPATH":"","题名2":"恶棍列传","采编审核员":"","分类号":"","出版地":"南京","索书号":"I783.45/B89-3","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":489287,"索书号7":"","索书号8":"","SUMMARYS":"","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"I783.45/B89-3","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(阿根廷)豪·路·博尔赫斯著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"江苏文艺出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(阿根廷)豪·路·博尔赫斯著","索书号10":"","全文地址":"","题名":"恶棍列传","翻译题名":"","处理日期":1227668539000,"分类字母":"","题名缩写":"","丛书名":"","册数":3,"索书号16":"","累计外借册数":33,"调配员":"","修改人员":55,"出版者":"江苏文艺出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"d3c39b627ef5760718a977e5177c0e8e"},{"NUM":3,"bookMap":{"种次F":"","标准编码":"978-7-208-14260-2","可外借数":2,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2017","已外借数":0,"COVERPATH":"http://img7.doubanio.com/lpic/s29487081.jpg","题名2":"米歇尔·福柯传","采编审核员":"","分类号":"","出版地":"上海","索书号":"B565.59/A20=2","价格":68,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1390991,"索书号7":"","索书号8":"","SUMMARYS":"米歇尔·福柯是20世纪下半叶最重要的思想家,他的著作对哲学、社会学、史学、文学、政治学、法学和艺术产生了深远的影响,并且改变了这些学科的既定面貌。 福柯是一名“戴面具”的哲学家。他早年求学巴黎,学习心理学、哲学。之后,工作、讲学于瑞典、波兰、德国、突尼斯、巴西、日本 、美国。1950年代后期,福柯成为一个崭露头角的年轻知识分子,与戴高乐派交好。1960年代中期,他成为结构主义化身,将自己定位为法国思想时尚界的新星。1968年五月风暴之后,他又成为一名左派和社会活动家。 然而,就在同一时期,他“悄悄地”获得了法兰西学院这个法国学术最高荣誉殿堂的讲席。1984年,因感染艾滋病去世。 本书以简洁、清晰可读的叙述,有条不紊地追溯了米歇尔·福柯的生命足迹,揭开了围绕这位辉煌哲学家的许多神话和谣言,促使我们认真思考福柯的每一部著作及其观点,并重新构建了从第二次世界大战后到今天的法国的文化、政治和思想生活。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"B565.59/A20=2","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(法) 迪迪埃·埃里蓬著 DIDIER ERIBON","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"上海人民出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(法) 迪迪埃·埃里蓬著 Didier Eribon","索书号10":"","全文地址":"","题名":"米歇尔·福柯传","翻译题名":"","处理日期":1523859276000,"分类字母":"","题名缩写":"","丛书名":"","册数":2,"索书号16":"","累计外借册数":4,"调配员":"","修改人员":392,"出版者":"上海人民出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"29d2f09abbe80fe53fe6b0e7ea561b0d"},{"NUM":3,"bookMap":{"种次F":"","标准编码":"978-7-5689-0431-5","可外借数":2,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":95,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2017","已外借数":0,"COVERPATH":"http://img7.doubanio.com/lpic/s29365402.jpg","题名2":"什么是批判? 自我的文化:福柯的两次演讲及问答录","采编审核员":"","分类号":"","出版地":"重庆","索书号":"B565.59/F63-5","价格":38,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":1367611,"索书号7":"","索书号8":"","SUMMARYS":"- 编辑推荐 - ·首次完整收录福柯晚期所作的两次演讲——《什么是批判?》和《自我的文化》,以及演讲后精彩的问答和讨论环节,福柯的机敏和睿智在其中展现无余。 ·本书编者参照福柯演讲手稿对两次演讲的文本进行了悉心校订,以期使福柯思想的面貌臻于完整。 ·福柯的这两次演讲,时隔五年,期间他的思想发生了重大演变。此次同时发表这两次演讲不仅极富意味,也可为研究福柯晚期思想提供一把钥匙。 - 内容简介 - 本书收录了米歇尔?福柯晚期所作的两次演讲。 第一次演讲,名为“什么是批判?”,于1978年5月27日在法国哲学学会举行。福柯把自己的研究纳入由康德《什么是启蒙?》一文所开启的视角,把批判定义为一种伦理—政治态度,而此态度在于一种不被过度治理的艺术。 第二次演讲,名为“自我的文化”,于1983年4月12日在加州大学伯克利分校所作。福柯在其中把自己的研究定义为一种关于我们自己的历史本体论,指出他对启蒙的看法和他对古希腊-罗马的分析有关。随后,福柯在伯克利分校还参加了三次讨论会,回顾了他哲学进程中的若干方面。 批判既可针对治理,也可针对自己。无论是质疑治理的批判,还是质疑自我的批判,出发点都是一样的,那就是启蒙的精神。在此,我们可以看到本书编者把《什么是批判?》和《自我的文化》放在一起的用意。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"B565.59/F63-5","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"(法) 米歇尔·福柯著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"重庆大学出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"(法) 米歇尔·福柯著","索书号10":"","全文地址":"","题名":"什么是批判 自我的文化福柯的两次演讲及问答录","翻译题名":"","处理日期":1509250419000,"分类字母":"","题名缩写":"","丛书名":"","册数":2,"索书号16":"","累计外借册数":4,"调配员":"","修改人员":393,"出版者":"重庆大学出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"451df5e2a774d678f65d14844e476834"}]