[{"NUM":8,"bookMap":{"种次F":"","标准编码":"978-7-04-012289-3","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":52,"索书号2":"","种次数据":"","内容介绍1":"","语种":"chi","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":0,"出版日期":"2003","已外借数":0,"COVERPATH":"http://img3.doubanio.com/lpic/s9130286.jpg","题名2":"合同法学","采编审核员":"","分类号":"","出版地":"北京","索书号":"D923.61/C47=2","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":660229,"索书号7":"","索书号8":"","SUMMARYS":"《合同法学》写作的国内背景是统一合同法的颁布，国际背景是中国已经成为WTO的成员国。因此，《合同法学》以《民法通则》和《合同法》等相关民事法律为依托，并参考国际通行立法和惯例，结合最高人民法院司法解释，广泛吸收域内外合同法研究的先进成果。《合同法学》系统详尽地阐述了合同法的基本概念、具体制度和重大原则，做到理论与实际结合、基础与前沿并重。 《合同法学》的论述脉络和行文框架与新合同法的体系基本上契合配套。全书分绪论、总论和分论三大板块。总论按照逻辑顺序阐述了合同从协商、订立、生效、履行、变更到救济的整个动态过程，对各种概念、制度、原则均有精析。分论以15个有名合同类型为论述对象，针对合同法的深入研究和实际操作，更注重对具体情况和细节问题的分析和解答。 总之，《合同法学》力求对合同法做出全面、准确、深入的阐述，尝试为中国合同法制健康、有序发展，并与国际通例接轨、融合做出一些贡献。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"D923.61/C47=2","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"主编陈小君","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"高等教育出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"主编陈小君","索书号10":"","全文地址":"","题名":"合同法学","翻译题名":"","处理日期":1272957458000,"分类字母":"","题名缩写":"","丛书名":"","册数":2,"索书号16":"","累计外借册数":35,"调配员":"","修改人员":119,"出版者":"高等教育出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"f314479441973d48ccc79e452afa8c47"},{"NUM":8,"bookMap":{"种次F":"","标准编码":"7-5036-6613-7","可外借数":7,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":1,"索书号2":"","种次数据":"","内容介绍1":"","语种":"","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":361498,"出版日期":"2006.8","已外借数":0,"COVERPATH":"http://img3.doubanio.com/lpic/s5745738.jpg","题名2":"民法总论","采编审核员":"","分类号":"","出版地":"北京","索书号":"D923.01-43/S91","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":170469,"索书号7":"","索书号8":"","SUMMARYS":"《21世纪法学通用教材:民法总论》主要内容：在民法典中设立“总则”编，以其作为统率债之关系、物权、亲属及继承各编的纲领，是德国人的创造(1896年民法典)，学者将其称为“pandectae”(“学说汇纂”、“潘德克吞”)模式的法典编制体例。但也许德国人自己都没有想到的是，他们的这一立法模式居然在30余年后飘洋过海，被一个有着悠久法律传统的东方大国继受。1929年的中国《民法》即以《德国民法典》为蓝本，甚至各编的顺序均与后者完全相同。此后，虽经政权更迭、社会变动、经济转型，但德国民法的影响却一直延续下来。在中国大陆，虽然至今尚无民法典，但起草工作早已在进行，就学者完成的建议稿观察，在体例编排上仍然难逃《德国民法典》的窠臼。在中国台湾地区，1929年《民法》几经修改仍在适用，其对德国民法亦步亦趋的态势也没有根本性改变。 德国民法对中国的影响不仅表现在法典模式的选择，更表现在对概念、制度、法律价值观和思维方法的全盘接受。这才是最可怕的。中国民法研究及课堂教学中随处可见可听的诚实信用、善良风俗、法律行为、意思表示、信赖利益、人格、善意、恶意、有因、无因、负担、处分、表见、标的、物等无一不来自德国。我们被迫采用德国的法律思维来处理中国的问题，其难度可想而知。由于中国大陆和台湾地区共同受到德国民法的影响，从一定程度上说，德国民法成为海峡两岸民法学者进行学术交流的纽带。可见，文化的输入对一个国家的影响远比商品的进口更为深远，而法律文化的继受则会根本性地改变后进国家的社会生活。","今年外借册数":0,"编目审核员":"","调配时间":"","索书号A":"D923.01-43/S91","责任者三":"","责任者二":"","分类":"","编目审核":0,"预约数":0,"编目审核日期":"","封面地址":"","内容介绍":"","责任者四":"","文献类型":0,"图象页数":0,"责任者":"苏号朋著","版次":"","下载":0,"种次字符数据":"","分类数据":"","出版者2":"法律出版社","MARC类型":"","封面服务器ID":0,"首馆键码":1,"索书号15":"","采编审核日期":"","索书号14":"","索书号13":"","索书号12":"","索书号11":"","责任者2":"苏号朋著","索书号10":"","全文地址":"","题名":"民法总论","翻译题名":"","处理日期":1216609401000,"分类字母":"","题名缩写":"MFZL","丛书名":"","册数":6,"索书号16":"","累计外借册数":89,"调配员":"","修改人员":112,"出版者":"法律出版社","创建时间":"","卷标":"","种次":"","下载服务器ID":0,"下载地址":""},"ID":"0e8ab2167ddf4802f101d647dbf23d5f"},{"NUM":8,"bookMap":{"种次F":"","标准编码":"7-5354-3089-9","可外借数":3,"上月外借册数":0,"去年外借册数":0,"封面":"","采编审核":0,"分类字符数据":"","全文服务器ID":0,"操作员":1,"索书号2":"","种次数据":"","内容介绍1":"","语种":"","本月外借册数":0,"排架号":"","库键码":1,"ILAS记录号":286892,"出版日期":"2005.9","已外借数":0,"COVERPATH":"http://img7.doubanio.com/view/subject/s/public/s5760443.jpg","题名2":"十日谈","采编审核员":"","分类号":"","出版地":"武汉","索书号":"I546.43/B89-2","价格":0,"索书号5":"","索书号6":"","种次字母":"","索书号3":"","责任者一":"","索书号4":"","索书号9":"","翻阅次数":0,"主键码":109612,"索书号7":"","索书号8":"","SUMMARYS":"《十日谈》是世界古典文学名著， 作者是文艺复兴时期意大利小说家乔万尼.卜伽丘（1313-1375年)。作品描述1348年意大利的佛罗伦斯流传瘟疫病时， 十个青年男女逃到郊外别墅居住，他们除了唱歌跳舞之外， 每人每天还要讲一个故事，住了十天，共讲一百个故事， 因此得名《十日谈》。卜伽丘把这一百个故事镶嵌在一起， 使其既各自独立成篇，又互相联贯，组成一个整体， 在思想和艺术上都服从于统一的主题。 这部作品揭露了封建制度的凶残和完宗教会的虚伪， 在中世纪欧洲反对封建道德和宗教权威的斗争中，起了积极作用。 这里选登其中一则故事，译文略作了删节。 《十日谈》故事来源广泛，取材于历史事件、中世纪传说、东方民间故事（特别是阿拉伯、印度和中国的故事，如《一千零一夜》、《七哲人书》、《马可·波罗游记》等），传奇轶闻和街谈巷议兼收并蓄，熔古典文学和民间文学的特点于一炉。《十日谈》的一百个故事塑造了大量人物，有王公贵族，骑士僧侣，也有贩夫走卒，市井平民，三教九流，五行八作，不同阶层、不同职业的角色都具有鲜明的性格特征，在欧洲文学史中用现实主义手法描绘如此广阔的生活画卷，薄伽丘可以说是第一人。意大利文艺理论家弗朗切斯科·德·桑克蒂斯（1817—1883）评论薄伽丘的《十日谈》时，把它和但丁的《神曲》相提并论，称之为《人曲》。 《十日谈》里的人物林林总总，情节多姿多彩，但贯穿全书 的是作为文艺复兴时期文学核心的人文主义思想。文艺复兴是十三至十六世纪欧洲希腊、罗马古典文艺和学术的复兴运动，是欧洲从中世纪封建社会向近代资本主义社会转变的反封建、反教会神权的思想解放运动。在文艺复兴以前的一千多年中，基督教文化在欧洲占统治地位，对它称之为“异教”文化的古典文化进行残酷的摧残。古典文化的核心是人道主义和现世主义，主张人是一切事物的权衡，现世的幸福生活是“至善”；基督教文化的基本内容则是神权中心和来世天国，主张人在尘世应禁 欲苦行。 资本主义生产在意大利发展较早，新兴的资产阶级为了摆脱阻碍它发展的封建生产关系、宗教信条和中世纪意识形态的束缚，提倡个性解放，重视现世生活，宣传以“人”为本，文艺复兴运动便应运而生。但丁、彼特拉克和薄伽丘三位意大利文学奠基人是文艺复兴运动的先驱。但丁在《神曲》里把许多天主教的教皇和大主教打入地狱，让他喜爱的罗马“异教”诗人维吉尔引导他游历地狱和净界，让他青年时代钟情的贝雅特里齐引导他游历天堂，这充分表明他对天主教会的憎恨，对禁欲主义的反对，以及对现世幸福生活的肯定。彼特拉克在他最优秀的作品《歌集》里冲破中世纪禁欲主义和神学思想的束缚，表达了以人与现实生活为中心的新世界观和以个人幸福为中心的爱情观。薄伽丘的思想比彼特拉克更进一步，他在《十日谈》的许多故事里批判了天主教会，讽刺教会的罪恶和黑暗，抨击僧侣的奸诈和伪善，表达了当时平民阶级挣脱教会和宗教枷锁的要求；对封建贵族的腐化堕落也予以无情的暴露和鞭挞。 《十日谈》用不少篇幅描绘和歌颂了现世生活，谴责禁欲主义，赞美爱情是聪明才智和高尚情操的源泉，赞赏平民、商人、新兴资产阶级的机智，宣扬社会平等和男女平等。但薄伽丘生活在新旧交替的时期，不可能完全摆脱中世纪思想意识的影响，作品中也有一些糟粕，有些故事渲染情欲，格调不高，反映出以个人主义为核心的资产阶级人生观；另一些故事则宣扬宽容顺 从，进行封建说教，表现了人文主义思想对中世纪道德观念的让步和作家世界观的矛盾和动摇。 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